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House for Literature / Franz Nabl Institute Graz, Styria
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Literature
in Graz. This relationship has existed for decades and has not only
given the city a reputation as a centre of committed literary activity
in Austria but has regularly been addressed and discussed at a socio-political
level. The bizarre encounter of local down-to-earth quality and avant-garde
literature in a city whose image of itself is to a considerable extent
derived from its southern location, strongly oriented towards northern
Italy, continues to bear fruit and in 2000 led to the municipal administration
setting up a competition for a Literaturhaus (House of Literature)
beside the existing "Kulturhaus" in a 19th century palace.
The "Kulturhaus" has an L-shaped plan, the longer leg of
which lies on a wide and busy main road whereas the shorter wing
extends into a side street. The development of the courtyard is a
reaction to this situation. It meant that both the existing building
and the park-like palace garden, lying somewhat lower, could be kept
free of interventions, while the built structure of the place was
increased in density, analogous to the function of the Literaturhaus,
which increases the density of content as an interface between practice,
documentation, research and public. The new building consists of
two yellow-coloured, fair-faced concrete elements: a flat cube completes
the floor plan of the existing building, where the offices and library
are located, up to the level of the entrance floor to form a rectangle
and the events hall, whose south facade opens onto a lower-lying
open space with seating steps, that relates to the garden. It serves
as a plinth for a smaller two-storey block that makes the existing
L into a U (apart from a narrow slit in which a lift provides a connection)
and contains a café on the lower level and the archive on
the upper floor. A fine terrace created on the roof of the plinth
building provides a connection between the palace at the higher level
and the lower events hall and garden, while also functioning as seating
area that offers the café public a view of the park. The clear
positioning of the two new elements along with the homogeneity in
terms of materials and colour, the various changes in level and the
relationships between different areas creates a precise balance against
the background of the existing building that reflects the relationship
between the city and literature referred to above – a relationship
that derives its strength from the encounter of extremely different
components that combine to produce a surprisingly vital entity. Eva Guttmann | |